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Movie Review: Bring your global entry card — ‘Beetlejuice’ sequel’s a soul train ride to comedy joy

But put it in the mouth of comedy goddess Catherine O’Hara, and place it in the singularly inventive world of Tim Burton and that wacky afterlife waiting room from “Beetlejuice,” and it may become the one blessed time in your life you’ll ever guffaw about global entry. It likely won’t be the only thing you’ll guffaw about. Burton is back — and, more significantly, he is BACK — with “Beetlejuice Beetlejuice,” 36 years after the original.
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